The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
The emotive stories in Distant Flickers: Stories of Identity and Losstake readers to the streets of New York and San Francisco, to warm east coast beaches, rural Idaho, and Italy, from the early 1900s, through the 1970s, and into present day. A down-on-his-luck cook who stumbles on goodness. A young mother who hides $10 she received from a stranger. The boy who collects secrets. A young woman stuck between youth and adulthood. Children who can’t understand why their mother disappears.
The distinct and varied characters inDistant Flickers stand at a juncture. The loss of a spouse, a parent, a child, one’s self. Whether they arrived at this place through self-reflection, unexpected change, or new revelations—each one has a choice to make.
Sheila Kohler, a mentor of mine whose work is featured in this thrilling collection, is fond of saying that suspense arises from putting a vulnerable character in a dangerous situation. A literary writer of the highest caliber, Sheila knows how to generate the suspense that keeps the page turning. Crime fiction has a long history going back to Dostoevsky and beyond, to the great tragedians—the commission of a crime entails motive, means, and is inherently dramatic. This eclectic selection of mystery and female noir, edited by Joyce Carol Oates, features superstar writers like Edwidge Danticat, Margaret Atwood, Sheila Kohler, Elizabeth McCracken, and Joyce Carol Oates herself. The writing is luminous, the themes are varied—from domestic horror to the erotic to dark fairy tales—and the tales keep the reader turning the page.
A chilling noir collection featuring fifteen crime and mystery tales and six poems from female authors.
Joyce Carol Oates, a queen-pin of the noir genre, has brought her keen and discerning eye to the curation of an outstanding anthology of brand-new top-shelf short stories (and poems by Margaret Atwood!). While bad men are not always the victims in these tales, they get their due often enough to satisfy readers who are sick and tired of the gendered status quo, or who just want to have a little bit of fun at the expense of a crumbling patriarchal society. This stylistically…
When the authors in Distant Flickers formed Telltale, a writers’ collective, we brainstormed ways to reach out to readers and give them insight as to how our life experiences are transformed into art. We decided to put together an anthology as part of our endeavor. In doing so, we researched how other writer collectives reached out to their readership. A number of us are historical fiction writers and/or members of the Womens Fiction Writers Association (WFWA), which is how we came to be acquainted with Paper Lanterns, the collective of historical fiction writers behind this anthology. The stories in Unlocked are works of historical fiction that revolve around the common element of an old wooden chest. The settings are varied and span seven centuries, from 1225 Ireland to 1679 Amsterdam to the American Civil War to Regency London to World War II to the Nineteen Seventies.
In much the same manner as Pandora, each Paper Lantern Writer takes a turn opening an old wooden chest, digging out stories spanning seven centuries. The individuals in these tales—heroes, villains, and in between—are more than people from the past. Whether they are making mayhem, waging war, or quietly holding their families together, their strength and fortitude shines on the page. From the Swinging Seventies to the Middle Ages, these characters gather, keep, and spill the secrets of their souls.
Who knows what treasures will be found when this ancient trunk is finally Unlocked?
The prevailing narrative regarding adoption, at least in the U.S., is crafted by adoption professionals and adoptive parents and largely overlooks the experiences of the parties directly impacted—the adoptees themselves. As an adoptee—one who undertook a search for and was reunited with my first family, reassuming the name I was given at birth—I am always on the lookout for the work of other adoptees. Only we truly understand what it is like to be “split” between two families, to lose our roots and culture, and—perhaps most devastating—not to have our losses acknowledged. These stories, by Ethiopian adoptees, challenge traditional narratives that cast adoption as a benevolent practice, revealing the racist, classist, and colonialist roots that give rise to the modern institution. The stories speak to themes of displacement, bewilderment, and what it is like to grow up estranged from one’s culture, identity, and roots.
Lions Roaring Far From Home: An Anthology by Ethiopian Adoptees includes the essays and poems of 33 writers, ages 8 to over 50, raised in six countries (the US, Canada, Sweden, France, the Netherlands, and Australia). It is the first ever anthology by Ethiopian adoptees.
This anthology shares Ethiopian adoptees’ wide range of experiences, from childhood into adulthood, through the voices of the adoptees themselves. There is more than one mention of grief, confusion, and loss. The writers also talk about their strengths, hopes, happiness, and love for family. Along with sadness and anger, there is also compassion, grace, and…
Before becoming a published writer, I was a lawyer litigating primarily large, multi-district environmental insurance coverage cases. I became familiar with the many ways by which we damage our precious natural resources, be it groundwater or soil or the air we breathe. Beginning with Rachel Carson, we have rich literature that speaks to the degradation of the planet, including the devastating changes wrought by global warming. The stories in this anthology speak to the physical and emotional topography of our current climate crisis, from a Sami woman who studies fish populations to a Wisconsin man contemplating the animals who make his trailer a portal to a world unsullied by humans. Fish & Water is a smart collection on a topic we ignore at our peril.
Fiction. A Sámi woman studying Alaska fish populations sees our past and future through their present signs of stress and her ancestral knowledge. A teenager faces a permanent drought in Australia and her own sexual desire. An unemployed man in Wisconsin marvels as a motley parade of animals makes his trailer their portal to a world untrammeled by humans. Featuring short fiction from authors around the globe; FIRE & WATER: STORIES FROM THE ANTHROPOCENE takes readers on a rare journey through the physical and emotional landscape of the climate crisis--not in the future; but today. By turns frightening; confusing; and…
As a writer, I am always pondering the question of how our lives inform our work. As one of my fellow writers, Melissa Ostrom, put it, our experience is the rich compost from which we form our fictional narratives. To use a Freudian dream analogy, I like to think that our lives are the “day residue” of the work—elements from daily life show up in different contexts or transformed in some other way. The twentieth-first century has witnessed an explosion of so-called auto-fiction, fiction that more consciously underscores this process of transforming life into art—think of the work of Ben Lerner, Rachel Cusk, and Karl Ove Knausgard. This recently-released anthology, edited by Caitlin Forst, features work by established writers as well as new voices that interrogates the relationship between writer and text, between art and life.
An exciting new anthology of autofiction featuring a wide range of today's best writers, both established and up-and-coming.
Collected autofictions from mainstays of literary, art, and internet avant-garde writing. The contributors in this anthology produce a contemporary, subversive primer of works engaging the relationship between the writer and the text.
Featuring: Aiden Arata Nathan Dragon David Fishkind Rindon Johnson Aristilde Kirby Tao Lin Chris Molnar Vi Khi Nao Elle Nash Gina Nutt Brad Phillips Sam Pink Darina Sikmashvili BR Yeager
Dressed to kill and ready to make rent, best friends Lisa and Jamie work as “paid to party” girls at the Rose City Ripe for Disruption gala, a gathering of Portland's elite.
Their evening is derailed when Lisa stumbles across Ellen, a ruthless politician and Lisa’s estranged mother. And to make matters worse, Lisa’s boyfriend, Patrick, crashes the party to meet his new boss, Portland's food cart drug kingpin. Lisa makes a fateful choice that traps her, Jamie, and Patrick in Ellen’s web. In this gripping thriller, Lisa must reconcile a painful past and perilous present.
Suspected murder, eclectic food trucks, and artisanal cocaine: just another day in Thorn City.
It’s the night of the Rose City Ripe for Disruption gala—a gathering of Portland’s elite. Dressed to kill in sparkling minidresses, best friends Lisa and Jamie attend as “paid to party” girls. They plan an evening of fake flirtations, karaoke playlists, and of course, grazing the catering.
Past and present collide when Lisa stumbles across Ellen, a ruthless politician who also happens to be Lisa’s estranged mother. Awkward . . . When Lisa was sixteen, Ellen had her kidnapped and taken to the Lost Lake Academy—a…
Interested in
Ethiopia,
nthropocene,
and
Alfred Hitchcock?
11,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
Ethiopia,
nthropocene,
and
Alfred Hitchcock.